BBC - GCSE Bitesize: Pip and Estella - 'bent, broken but better': Chapter 59
In his essay I will describe the nature of their relationship. It is going to analyse what it is that attracts Pip to Estella. This means we are going to discuss if Pip's. Development of relationship between Pip & Estella - Free download as Word Doc .doc), PDF File .pdf), Text File .txt) or read online for free. Get an answer for 'Discuss the Pip-Estella relationship in Great Expectations. 3 educator answers; I need to describe Wemmick's home in Dickens' Great.
I will further show that social and economic aspects play a vital role in their relationship. Although both women differ tremendously as to their social status and personal history, they have one thing in common: With these two mothers Estella appears to be destined of becoming a similarly cruel woman. The little girl is thus brought up in a dark and dingy place, where everything seems to rot away, and where there is no room for anything but melancholy and contempt for the outside world.
Growing up in such cold and hostile surroundings has made Estella into what she is. Shortly before she dies Miss Havisham confesses: In this cruel scheme Pip is a mere guinea pig for Estella to practice her heart-breaking skills on. In this sense, the beautiful girl is raised to be just as cold and unattainable as the sparkling but ever distant star in the nocturnal sky: She seemed much older than I, of course, being a girl and beautiful and self-possessed; and she was as scornful of me as if she had been one-and-twenty, and a queen.
There was no discrepancy of years between us, to remove her far from me; we were of nearly the same age […]; but the air of inaccessibility which her beauty and her manner gave her, tormented me in the midst of my delight […] Wretched boy! She is thousands of miles away from me. I adopted her to be loved.
I bred her and educated her to be loved. However, by the end of the book, Drummle has been killed by a horse he has allegedly abused. The references to Drummle's marriage and death are conjectural, and no direct evidence is produced or suggested.
Pip 'hears' of Drummle's poor behaviour and accepts the information as truth. The relationship between Pip and Estella worsens during their adult lives.
Great Expectations: The strange romance of Pip and Estella
Pip pursues her in a frenzy, often tormenting himself to the point of utter despair. He makes writhing, pathetic attempts to awaken some flicker of emotion in Estella, but these merely perplex her; Estella sees his devotion as irrational. Varied resolutions of Estella's relationship with Pip[ edit ] Estella and Pip. Though Estella marries Drummle in the novel and several adaptations, she does not marry him in the best-known film adaptation.
However, in no version does she eventually marry Pip, at least not within the timespan of the story. The eventual resolution of Pip's pursuit of Estella at the end of the story varies among film adaptations and even in the novel itself. Dickens' original ending is deemed by many as consistent with the thread of the novel and with Estella's allegorical position as the human manifestation of Pip's longings for social status: I was in England again—in London, and walking along Piccadilly with little Pip—when a servant came running after me to ask would I step back to a lady in a carriage who wished to speak to me.
It was a little pony carriage, which the lady was driving; and the lady and I looked sadly enough on one another. Lift up that pretty child and let me kiss it! I was very glad afterwards to have had the interview; for, in her face and in her voice, and in her touch, she gave me the assurance, that suffering had been stronger than Miss Havisham's teaching, and had given her a heart to understand what my heart used to be.
As this ending was much criticized even by some famous fellow authors, Dickens wrote a second ending currently considered as the definitive one, more hopeful but also more ambiguous than the original, in which Pip and Estella have a spiritual and emotional reconciliation.Miss Havisham Interrogates Pip - Great Expectations - BBC One
The second ending echoes strongly the theme of closure found in much of the novel; Pip and Estella's relationship at the end is marked by some sadness and some joy, and although Estella still indicates that she doesn't believe she and Pip will be together, Pip perceives that she will stay with him: I took her hand in mine, and we went out of the ruined place; and, as the morning mists had risen long ago when I first left the forge, so, the evening mists were rising now, and in all the broad expanse of tranquil light they showed to me, I saw no shadow of another parting from her.
Estella's origins[ edit ] Though she never knows it herself, Pip finally finds out where Estella comes from. She was the child of Jaggers's maidservant Molly, a gypsy at that time, and Abel Magwitch.
Estella (Great Expectations) - Wikipedia
Pip becomes convinced that Molly is Estella's mother during his second dinner at Jaggers's place, when he realizes that their eyes are the same and that, when unoccupied, their fingers perform a knitting action. Wemmick tells him Molly's story: She came to Jaggers after he saved her from the gallows, as she had been accused of having murdered a woman out of jealousy.
One evening, after Pip returned from a visit at Miss Havisham 's, Herbert tells him a story that Magwitch told him: Magwitch had a wife once and they had a child, a girl, whom Magwitch loved dearly.
His wife told him she'd kill the child because the child was what Magwitch loved the most, and Molly wanted him to suffer for what he did to her and, as much as he knows, she did. Shortly afterwards, she was accused of murder, acquitted and then disappeared. The two stories fit so well, that Pip has no doubt: Estella is the child of Abel and Molly.
He tells this to Jaggers and Wemmick, unable to keep it to himself. Jaggers tells him the missing bit of the story only assuming, that it could have been like that: Molly gave the child to him, to be safe in case of her conviction. Abel, believing it dead, did not dare make a stir about it.