Fantine - Wikipedia
Jan 10, At the end of eight years, Valjean, never a At the end of the day, Fantine's daughter is lonely, Even the Oscar-nominated new song for the film “Suddenly” fits in beautifully, fleshing out Valjean's early relationship with. A summary of “Fantine,” Books Three–Four in Victor Hugo's Les Misérables. Quotes. Important Quotations Explained. Further Study. Context · Full Book Quiz novel takes place in , two years after Myriel gives the candlesticks to Valjean. therefore does not realize that her relationship with Tholomyès is the biggest. Fantine is a fictional character in Victor Hugo's novel Les Misérables. She is a young Dismissing the act, Valjean orders Javert to free Fantine, which he reluctantly does. Valjean comes to find Fantine's relationship with Cosette's father lasts a matter of months ("He slept a summer by my side He filled my days with.
Oscar Wilde presented her as a figure whose suffering makes her lovable, writing of the scene after she has her teeth removed, that "We run to kiss the bleeding mouth of Fantine". Grossman says she moves into a form of "maternal sainthood" and that "When Madeleine Valjean's pseudonym as mayor affirms that she has remained virtuous and holy before God, Fantine can finally release her hatred and love others again.
Or rather, it is because he perceives the reality beyond her appearance that she finds the mayor worthy of renewed devotion. Fantine is "an example of how women of the proletariat were brutalized in nineteenth-century France Fantine represents Hugo's deep compassion for human suffering, especially for women born into low estate".
Debsfounder of the Industrial Workers of the World. In he wrote the essay Fantine in our Day, in which he compared the sufferings of Fantine to abandoned women of his own day: The very name of Fantine, the gay, guileless, trusting girl, the innocent, betrayed, self-immolating young mother, the despoiled, bedraggled, hunted and holy martyr to motherhood, to the infinite love of her child, touches to tears and haunts the memory like a melancholy dream Fantine—child of poverty and starvation—the ruined girl, the abandoned mother, the hounded prostitute, remained to the very hour of her tragic death chaste as a virgin, spotless as a saint in the holy sanctuary of her own pure and undefiled soul.
The brief, bitter, blasted life of Fantine epitomizes the ghastly story of the persecuted, perishing Fantines of modern society in every land in Christendom. Differences in the musical[ edit ] See also: Synopsis of the musical Fantine's relationship with Cosette's father lasts a matter of months "He slept a summer by my side He filled my days with endless wonder He took my childhood in his stride But he was gone when autumn came".
#25: Les Misérables (2012)
In the novel, they are together for three years, and Cosette is already two years old when Fantine is abandoned. Valjean sees this, but leaves this to his foreman; the foreman, his advances having been rejected by Fantine, fires her. Fantine is not illiterate and does not sell her teeth, but she does sell one tooth in the film adaptation of the musical, as in the novel.
Bamatabois wants to buy Fantine's services, and is angered when she rejects his advances. In the novel, he is a young layabout who humiliates her by putting snow down her dress as if she is an object of fun. The Thenardiers force Cosette to collect water late at night, which terrifies Cosette. On Christmas Eve, Valjean meets Cosette for the first time. It was during one of those times when the Thenardiers sent Cosette into the woods to collect water from the well.
Cosette is eight at the time and Valjean cannot believe that this is the little girl that he was looking for. A couple scenes back, Valjean promises to her dying mother that he would raise Cosette as his daughter. Valjean learns the truth about Cosette and cannot believe the abuse that Cosette had to face. Valjean had to buy Cosette away from the Thenardiers, but they try to make Valjean believe that Cosette is in good hands with them, but Valjean knows the truth.
Cosette finally gets the freedom she wants and Valjean becomes a loving father to her. Both Valjean and Cosette are both broken and have never found love before and they help heal each other. She is living with a loving father. Cosette is very protective and sheltered, which makes sense because Valjean is always on the run from Javert.
This makes raising Cosette quite difficult at times. One day in the street, a law student named Marius bumps into Cosette and automatically falls in love with her and the same thing happens to her. Eponine is also in love with Marius and she is now living in extreme poverty and has become a part of the criminal world.
The two girls lives have literally switched places. Hugo identified with the Romantic Movement and felt it was his calling. In the early 's, when Romanticism was just starting, artists were invited to form an avant-garde, to convert the nation to the doctrine of Saint-Simon. The artist is alone capable of directing society, for he alone embraces both God and Man. Hugo responded wholeheartedly to this call: The new position was one that Hugo would retain for the rest of his life, his association with Romanticism, with the Revolution and, ultimately, with socialism.
Victor Hugo not only wrote about Romanticism, he lived the life of an ideal Romantic. He was the embodiment of the Romantic image of martyrdom when he went into exile in He tried in,to enter politics, hoping to become Prime Minister of the new government established by the younger Bonaparte; the attempt was a failure.
Les Miserables Poem, a les misérables fanfic | FanFiction
The prince-president never had any intention of giving Hugo such an important position. Hugo became a violent critic of the new regime; and went into exile in when Bonaparte seized absolute power.
- Jean Valjean and the Face of God
- Jean Valjean Quotes
- Analysis of Cosette
Hugo's power lay in his literary personality. As a lyric poet, as a writer of prefaces and articles, Hugo created for himself a persona.
Quote by Victor Hugo: “Poor old Jean Valjean, of course, loved Cosette”
Whether he knows it or not, whether he wishes it or not, it is true. From every body of work, whatever it may be, wretched or illustrious, there emerges a persona, that of the writer.
It is his punishment, if he is petty; it is his reward, if he is great".Les Misérables
And certainly, by his own definition, Victor Hugo was great. This belief he incorporated into the actions of his characters.